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Cento (poetry)
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In poetry, a cento is a work wholly composed of verses or passages taken from other authors; only disposed in a new form or order. The term comes from the Latin cento, a cloak made of patches; and that from the Greek κεντονιον. The Roman soldiers used these centos, or old stuffs patched over each other, to guard themselves from the strokes of their enemies. Others say, that centos were probably used for the patches of leather, etc, with which their galleries or screens, called vineae, were covered; under which the besiegers made their approaches towards any place. Hence centonarii, the people whose business was to prepare these centos. Alexander Ross did the same thing in his Virgilii Evangelisantis Christiados (1634), his most celebrated work of poetry. Etienne de Pleure did the same in Sacra Aeneis (1618): an instance of whose centos on the adoration of the Magi, is as follows (asterisks separate quotations from different verses):
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